Dance - Teodora Kostova
Fenix and Jared are both stage actor/singer/dancers. The triple threat. Jared is performing in a show at Queen Victoria Theater in West London, which he co-wrote with his best friend Adam. Fenix gets the lead role in another musical about a rock band, which will be sharing the theater with Jared’s show. He and Jared will also share a dressing room.

Fenix’s goal has always been to star in a Broadway show. His mother did it but was injured in a suspicious accident many years ago, which cut her career short and left her in a wheelchair. Fenix sees the show in West London as a stepping-stone to his ultimate goal. He plans to make Poison a success and make himself indispensible so that when the show is offered a spot on Broadway, he will go along with it. He makes it clear to everyone, including Jared that this is his plan.

Fenix doesn’t count on the immediate and undeniable need to be with Jared. Not just sexually. But every minute of every day. They fall very quickly into a serious relationship, both seeming to forget that this is only a stopover on Fenix’s ride to the top. The first months of their relationship happen very quickly but takes up a large portion of the book. There is so much sex, it is almost too much. Instead of developing a relationship through spending time together doing things for fun, talking, learning each other’s likes and dislikes, Fenix and Jared have sex. Sometimes they talk, too. Mostly just the sex, though. The first half of the book is made up of approximately the first eight months of their relationship.

When it looks like Fenix’s dreams are coming true, their idyllic world seems to fall apart around them. It’s unclear if either of them will survive without the other. They both take different paths to deal with their loneliness and sorrow, but they are both terribly bereft and sad. They have no contact for two years. This doesn’t really make sense to me. If they loved each other, I would have expected them to have most likely at least spoken or e-mailed to keep up with each other’s careers, if nothing else.

It is now about two-thirds of the way through the book. The pacing felt off to me. The first half covered eight months, then a small portion contained events of over two years, which were skimmed over by the author and given very little detail.

The initial insta-love caused a little eye rolling, as did the ease with which they parted ways when Broadway came calling. They were so miserable without each other that it seemed implausible to me that one of them wouldn’t have reached out to the other. Then, when Fenix had reached his goal, he realized it wasn’t enough. The ease with which he undid the previous two years was again, implausible. By this time, I wanted Jared and Fenix back together so badly I would have believed almost anything to see it happen!

I loved the characters and really wanted them to have everything they wanted. The supporting cast was engaging, too. Ms. Kostova described the dancing and scenes from both plays very well; I could practically smell the sweat.

I really did enjoy this book. I admittedly skimmed over a large portion of the sex just because there was so, so much of it. I loved the last third of the book, even if, again, things happened too fast to feel real. By that point in time, it was what I expected from Jared and Fenix. The end and epilogue were deeply satisfying, but left Jared’s best friend Adam hanging there, ripe for his sequel… I look forward to it.

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